reading room

That Art Exhibit’s reading room is a virtual library filled with suggestions by the conference presenters. It serves as a background wall of inspiration to what it means for art to exhibit.

  • Armleder, John, Mathieu Copeland e.a. (eds.). VOIDS: A Retrospective. JRP/Ringier, 2009.
  • Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke University Press, 2007.
  • Boym, Svetlana. The Future of Nostalgia. Basic Books, 2002.
  • Brejzek, Thea (ed.). Expanding Scenography: On the Authoring of Space. Arts and Theatre Institute, 2011.
  • Cooper, Dennis. Guide. Grove Press, 1997
  • Dezeuze, Anna (ed.). The ‘do-it-yourself’ artwork. Participation from Fluxus to New Media. Manchester University Press, 2012.
  • Dyke, Milton Van. An Album of Fluid Motion. Parabolic, 1982.
  • Eshun, Kodwo and Anjalika Sagar. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press, 2007.
  • Flusser, Vilém. Into The Universe Of Technical Images. University of Minnesota Press, 2011.
  • Garlake, Margaret (ed.). Beaconsfield: Chronic Epoch. black dog publishing, 2003.
  • Haraway, Donna. Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936. (p.26-58) in Primate Visions: Gender, Race, and Nature in the World of Modern Science. Routledge, 1989.
  • Helguera, Pablo. The School of Panamerican Unrest: An Anthology of Documents – La Escuela del deasosiega: Antalogia de documentos.
  • Hirsch, Marianne. The Generation of Postmemory: Writing and Visual Culture After the Holocaust. Columbia University Press, 2012.
  • Horak, Ruth (ed.). Rethinking photography I + II Narration und neue Reduktion in der Fotografie. Salzburg: Taschenbuch, 2003.
  • Jarry, Alfred. Exploits and Opinions of Doctor Faustroll, Pataphysician: A Neo-Scientific Novel. Exact Change, 1996.
  • Jovic, Dejan.  Yugoslavia: A State that Withered Away. Purdue University Press, 2009.
  • Kaitaro, Timo. Le surreálisme: pour un reálisme sans rivage. L’Harmattan, 2008.
  • Krauss, Rosalind. A Voyage on the North Sea–Art in the Age of the Post-medium Condition. Thames & Hudson, 2000.
  • Negarestani, Reza. Cyclonopedia: Complicity with Anonymous Materials. Re.press, 2008.
  • Obrist, Hans Ulrich. Do It: The Compendium. Distributed Art Publishers, 2013.
  • Obrist, Hans Ulrich. Ways of Curating. Faber & Faber, 2014.
  • Rancière, Jacques. Dissensus: on politics and aesthetics. Bloomsbury Academic, 2015.
  • Rothberg, Michael. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford University Press, 2009.
  • Siukonen, Jyrki. Hammer and silence: A short introduction to the philosophy of tools. Academy of Fine Arts, 2015.
  • Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Duke University Press, 1993.
  • Stiegler, Bernard. Symbolic Misery: Volume 2: The catastrophe of the sensible. Polity Press, 2015.
  • Szeemann, Harald (ed.). (1972) ‘Problems of the museum of contemporary art in the west’, report of the 1969 ICOM conference, in Museum, Vol. XXIV, NO. I.

 

 

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